Dating rca victor records
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In 2004, an advisory board was formed, and in 2005 Samuel Brylawski was hired as editor of the project.
In April 2007, the project was awarded funding from the National Endowment for the Humanities to complete editing of the data through the acoustic era and to create an online database of the information.
In March 2008, the EDVR database was publicly demonstrated at the Association for Recorded Sound Collections (ARSC) Conference in Palo Alto, California.
In June 2008, the database went live on the Internet.
In September 2013, UCSB's American Discography Project launched a new and expanded sound recordings database called the Discography of American Historical Recordings (DAHR).
The Encyclopedic Discography of Victor Recordings (EDVR) was conceived by two record collectors, Ted Fagan and William R. Moran developed their classical music discography they came to recognize that there would be equal interest by scholars and collectors in the recording sessions that surrounded Victor's classical music recording sessions.
Corresponding by post for a number of years, they conceived a project to document every Victor classical recording. Fagan's introduction to the second and last published volume of their discography, as he and Mr.
Moran, a geologist for the oil industry, both collected recordings (primarily classical music) and shared their dismay over the lack of information available about Victor Red Seal records.They recognized that to limit their publication to the classical sessions would have been "inappropriate," and that the complete historical context of Victor's history, the "total picture," was necessary.With that realization, they expanded their goal to document every Victor recording session for 78rpm discs. Fagan was granted liberal access to the recording files held by RCA Victor Records, the successor to the Victor Talking Machine Company. Fagan devoted many thousands of hours to compiling lists of the tens of thousands of Victor master recording sessions. Fagan's process was to create index cards for each recording session listed in Victor's ledgers, which were arranged by recording artist.The artist ledgers included the dates of recording, the names of works performed, the number of "takes" recorded, and a limited amount of information about accompanists or musical forces employed at the session. Fagan collated this information with that found on Victor's "Blue History Cards," the company's archival collection of more than 200,000 cards documenting every disc released by the company. Fagan typed two sets of lists: a numerical register of every session, with related takes, and a chronological list of all takes. Moran, who annotated them with information obtained from actual recordings, Victor trade catalogs, and fellow collectors and other subject experts. Moran in preparing the discography for publication.In the early 1980s, the project became affiliated with the Archive of Recorded Sound at the Stanford University Library. In 1983, the first volume of the discography was published in book form, and in 1986 a second volume was published. Moran continued to gather and edit the data along with staff at Stanford, and eventually Mr.Fagan's typescript notebooks listing all of the master recording sessions were sent overseas and input into an Oracle database, though no further books were published. Moran asked the UCSB Library to take over the project in 2003. Moran provided an endowment for the project and it was transferred to the Department of Special Collections at the UCSB Library.